The Devil Movie Kuttymovies 2025 Review Details
The Devil (2025) Music Review – Ajaneesh Loknath’s Soundscape Turns Darshan’s Comeback Into a Vibe Machine
I’ve seen mass films rise and fall on one simple factor — vibe. In Kannada cinema, music doesn’t decorate a film; it defines its pulse. With The Devil, the atmosphere was set much before release, and a huge chunk of that anticipation came from B. Ajaneesh Loknath’s background score snippets that took over reels and fan edits.
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The Devil (2025–2026) is a political action thriller where Darshan Thoogudeepa’s dual roles move through revenge, power, and political betrayal. The narrative leans heavily on sound — songs, background score, and silence — to elevate moments of mass heroism, emotional loss, and political intimidation.
| Category | Details |
|---|---|
| Film | The Devil (2025–2026) |
| Lead Actor | Darshan Thoogudeepa |
| Female Lead | Rachana Rai |
| Director | Prakash Veer |
| Music Director | B. Ajaneesh Loknath |
| Dialogue Writer | Kanthraj S. S. |
| Production Banner | Shri Jaimatha Combines, Vaishno Studios, Yoodlee Films |
Atmosphere First: Setting the Mood Right from Frame One
The film opens with a sonic mood that feels heavy, brooding, and politically charged. Ajaneesh Loknath doesn’t rush into loud beats immediately — he lets silence, low bass, and ambient textures build tension. This approach works beautifully for a story rooted in corruption and revenge.
The music language is unapologetically mass but layered with restraint. Instead of constant noise, the score waits for moments to explode — and when it does, theatres feel it in the chest.
Insight: The vibe is engineered, not accidental. Takeaway: Sound design becomes storytelling.
Song Integration: Forced Numbers or Narrative Boosters?
The Devil reportedly features 5–6 tracks, and thankfully, none feel randomly inserted. Each song serves a purpose — either to elevate Darshan’s screen presence, deepen emotional stakes, or underline political power shifts.
“Devil Entry” functions less like a song and more like an announcement. It’s pure elevation, designed for whistles and fan frenzy. On the other end, “Rukmini Raaga” slows the narrative down, giving emotional breathing space and grounding the otherwise aggressive tone.
Insight: Songs respect the screenplay’s flow. Takeaway: No speed breakers here.
Background Score Elevation: The Real Hero Behind the Hero
If there’s one department where The Devil truly flexes, it’s background score. Ajaneesh Loknath understands Darshan’s screen persona and builds themes around dominance, silence, and sudden eruptions.
Political scenes featuring Mahesh Manjrekar carry a cold, authoritative score, while Darshan’s transformation arcs are underscored with percussion-heavy themes that instantly trigger goosebumps. The dual-role contrast is smartly reflected in musical motifs.
Insight: The BGM shapes character psychology. Takeaway: This is theatre-first scoring.
Emotional Impact Through Sound: When Music Speaks Louder Than Dialogues
One of the film’s strengths lies in how it uses music to communicate emotion without spelling it out. In moments of loss, betrayal, or moral conflict, the score pulls back instead of overpowering the scene.
“Dual Destiny” plays a crucial role here, subtly underlining the internal conflict between Dhanush and Krishna. It’s less about melody and more about emotional texture.
| Song Name | Vibe Rating | Best Mood to Listen |
|---|---|---|
| Devil Entry | High | Workout / Fan Celebrations |
| Rukmini Raaga | Medium-High | Late Night / Emotional Moments |
| Rajasekhara Roar | High | Power Play Scenes |
| Vengeance Vortex | High | Interval Block Energy |
| Dual Destiny | Medium | Reflective Listening |
Choreography & Visual Sync: When Sound Meets Scale
The songs are visually mounted on a grand scale, especially the mass and political numbers. Santhu Master’s choreography focuses more on attitude than complex steps, keeping Darshan’s presence dominant.
Color grading, slow-motion shots, and crowd framing align perfectly with the beats, making these sequences tailor-made for viral clips and big-screen impact.
| Audio Aspect | Execution Level |
|---|---|
| Background Score | Excellent |
| Song Placement | Strong |
| Lyrics Impact | Moderate |
| Sound Mixing | High (Dolby Atmos) |
FAQs
Question: Is music the backbone of The Devil?
Answer: Yes, the background score and sound design play a massive role in elevating the film’s mass moments.
Question: Are the songs replay-worthy outside the film?
Answer: Select tracks like “Devil Entry” and “Rukmini Raaga” work well beyond the screen.
Question: Does Ajaneesh Loknath outperform expectations?
Answer: He delivers a controlled yet powerful soundtrack that understands Darshan’s stardom perfectly.
Ratings are purely my take after multiple watches — your experience might differ!
